DATE - 26TH - 29TH JUNE 2013
PLACE - BUSINESS CENTRE, LONDON
STAND NUMBER - CAA33
EXHIBITORS:
Katie Owen’s contemporary jewellery and small
sculpture draws source material from the built landscape and related found
objects. The work takes inspiration from abandoned industrial structures
situated on the outskirts of towns and cities, referred to as ‘Edgelands’. The
jewellery pieces involve multiple, interchangeable parts featuring enamel
elements. When not on the body, these interchangeable parts exist as feature
elements on small concrete and metal sculptures.
ktlo90@hotmail.co.uk
Lyndon
James Davies - designer
maker - When
Lyndon’s not flying up and down forest trails on his bike, he will be tootling
along at snail speed on road trips in OJO, his old Commer camper van. Lyndon’s creative
practice brings together inspiration from these elements in a range of
enamelware. The surface designs feature Commer and VW motifs created by
photographing old unloved toy cars.
Poliana Bandeira is a ceramic artist who is inspired
by natural structures and geometrical forms. Her latest work explores the life
cycle of butterflies and their transformation as continuity of life. Her
biomorphic sculptures are hand built in stoneware using coiling techniques and
finished with layers of dry glazes.
ceramics@polianabandeira.com
Ray Church – Ceramic artist who makes
classical styled thrown vessels. Ray’s inspiration is drawn directly from the
use of imagery on classical pottery originating mainly from Greece. The images and surfaces are acute
and challenging commentaries on our
society and culture today. He has retained aspects of specific symbolic
elements of Greek mythology and juxtaposed them with contemporary images in an
attempt to convey a social discourse; such as class, digital culture and social
stereotypes.
mail@rfchurchceramics.com
Neill Curran is a potter and ceramic artist who
makes thrown Raku and soda fired vessels with distinctive and dramatic
surfaces. The current theme of his work involves the uses of Anamorphosis, the
idea of creating an exact viewpoint from which to view geometric shapes. The
Anamorphic marks on the surface of the vessels are embedded by smoke
penetrating the surface of the vessel. He is also incorporating an oriental
theme within his work with the use of Japanese cultural symbols.
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